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    CNQ

    Three Poems
    by Kerry-Lee Powell

    0
    By CNQ Team on July 2, 2014 Poetry

    Hensol

    It’s winter. The condos are behind schedule: the artist’s
    impression hangs from the billboard in tatters, the sketched
    greenery
    spattered with snow and dump-truck slush and a nebulous
    FUCK sprayed in red aerosol, the K trailing off in sympathy
    for all that remains unfinished. To keep warm, the workers
    have sheathed the window-holes and outer structure
    in semi-opaque plastic, so that I see only a crude smear of
    faces
    peering out on smoke breaks at the surrounding blur,
    and then again the empty window spaces, like dark patches
    in a frozen river. It’s not that I’m complaining – it couldn’t
    remain
    a vacant lot forever. But it had a kind of Zen perfection,
    the few quiet boulders reflected in shallow pools after rain
    and the late blaze of goldenrod in the depression
    where a row of long-demolished houses had been.
    The condos will draw new blood in from the suburbs,
    the balconies will be hung with wreathes and coloured
    bulbs
    and each room filled like a glass with wavering light.

    At night it’s a white palace. It’s a ghost ship trapped in ice,
    overrun with gusts: the crackle of plastic, tarps and
    snapping ropes
    assault my dreaming ear like the cold, clairvoyant music
    of a Russian composer in the early twentieth century,
    unleashing a tirade of terrors that has me writhing in my
    sleep
    or up parting my curtains in a mute panic.
    It’s like the beginning of the end of my marriage,
    the day we threatened but hadn’t quite begun to re-enact
    the chilly traumas of our childhoods on each other yet.
    Too stunned to stay home, we swigged from a shared flask,
    wandered until our heels ached, stepping at last through a
    culvert
    onto the grounds of the abandoned sanatorium. It was so
    long ago—
    an almost make-believe land, seen through scrolling trees,
    the boarded-up, castellated hall, rusting gates and
    brambles.
    Rhododendrons glowed like coral brains in the
    undergrowth,
    the ruins of a vanished garden. As if in a different realm,
    white shapes in terry-cloth robes flitted on a distant lawn:
    the members of an adjoining spa pretending not to notice
    as we trespassed along the weedy path then craned to look
    through the slats and barricades into the gloomy lower
    rooms,
    strewn with metal chairs and falling plaster. And I saw them
    as clearly as if they were figures in an old documentary,
    the men with minds of children, moving in slow groups
    from the dining hall to the outer villas, unearthing rows of
    onions.
    Basking on warm benches, wrapped in hospital blankets,
    marveling from barred windows. Traipsing back
    into semi-darkness, and in all the years that have followed
    since
    I thought it was a miracle such a place existed, that we had
    fallen
    By chance into a rare state of grace, and learned nothing.

    Mirror Lake

    All weekend the outboard engine
    has been failing, unspooling rainbows

    on the lake’s surface, slicking the fingers
    of the drowned aspen, whose wheel of upturned

    roots seems like the emblem of an ancient
    cult of death, or nature, or both.

    High on the ridge, the tents are collapsing.
    It’s the end of the season, and the last families

    gather at the taps to rinse battered pots,
    undo the squalor of fire pits and laundry,

    their children streaked in calamine and soot.
    On the other side of the lake, spires of smoke

    loosen into smog. Through the trees
    a stream of leave-takings, Windstars

    and Dodge Caravans, their cargo of faces lost
    beneath the canopy of sky and branches

    That flickers on the windscreens past
    the carved mascots flanking the exit.

    In winter the snow-swept cabins
    will have the look of an abandoned village,

    the cedar planks exhaling resins
    into the half-buried interiors.

    A hundred miles to the north
    they’ve unearthed a Wendat city,

    its tubers spread beneath a Toronto suburb:
    longhouses, palisades and a gallery

    of cornhusk effigies rotted to lace,
    A rusted European axe-head at the exact centre,

    lodged like an ache in the cerebrum.
    A gust perturbs the water’s face,

    the gunwales tilt and shudder.
    We’re also in the middle of something,

    Terse words and a stalling engine.
    Tinged with blood and amber from the fallen

    leaves, the run-off of centuries,
    our semblances tremble in the waves.

    Inheritance

    Your winter coat, frayed at the wrists,
    a cassette of your voice reciting verse.
    A fear of King Lear. A belief in ghosts.

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